Mon, 11/12/2018, (Originally broadcast Mon, 12/18/2017 on 90.1FM. TOPICS: Flood Control on Buffalo Bayou, Addicks & Barker Dams, From 2013-11-13. GUESTS: Evelyn Merz (Sierra Club) [AUDIO/VIDEO]@KPFTHouston

SHOW AUDIO: Link is usually posted within about 72 hours of show broadcast. We take callers during this show at 713-526-5738.

For technical reasons, I’m having to do a prerecorded show this Monday night, and I thought I would dig into my HD3 archive to see what might be usable. This show was originally broadcast on KPFT-HD3 on November 11, 2013. Yet more than 4 years on it’s still timely, maybe more than ever.

Thinkwing Radio with Mike Honig (@ThinkwingRadio), a listener call-in show  airing live every Monday night from 9-10 PM (CT) on KPFT-FM 90.1 (Houston). My engineer is Bob Gartner.

Listen live on the radio or on the internet from anywhere in the world! When the show is live, we take calls at 713-526-5738. (Long distance charges may apply.)

Please take a moment to visit Pledge.KPFT.org and choose THINKWING RADIO from the drop-down list when you donate. Thinkwing Radio with Mike Honig (@ThinkwingRadio on Twitter), is a listener call-in show  airing live every Monday night from 9-10 PM (CT) on KPFT-FM 90.1 (Houston). My engineer is Bob Gartner.

For the purposes of this show, I operate on two mottoes:

  • You’re entitled to your own opinion, but not your own facts;
    Houston Mayor Annise Parker [L] with Mike, just before the show. (Dec. 14, 2015)

    Houston Mayor Annise Parker [L] with Mike, just before the show. (Dec. 7, 2015)

  • An educated electorate is a prerequisite for a democracy.

SIGNOFF QUOTE[s]:

“The hurricane flooded me out of a lot of memorabilia, but it can’t flood out the memories.” ~ Ex-NFL player Tom Dempsey on the effects of Hurricane Katrina

 

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The New Music of the New “Doctor Who”: Two Takes

Funny. I enjoyed the episode “Rosa” and thought it bodes well for future episodes.

Perversely, though, I very much dislike the new main theme and musical underscoring for basically the very same reasons that the author of the article, “As the long-running science-fiction television series begins a new chapter with a woman in the lead role for the first time, its theme tune more or less restores the original musical conception,” prefers them. I feel like the main theme has been orchestrally eviscerated and abbreviated, and the aimless underscoring so enjoyed by the author reminds me of the musical underscore work Dennis McCarthy did on “Star Trek: The Next Generation”, which was aimless, meandering, athematic, amelodic work which I loathed.

Some people apparently appreciated McCarthy’s work, and I’m told that his style was deliberately chosen by the producers, but I always felt that it made the series seem cheap and cheesy. What I enjoyed of the series was in spite of his work, or especially among the episodes he didn’t score. (The memorable Borg theme, for example, is not McCarthy’s but is the work of Ron Jones.)

I miss Bernard Herrmann, but at least we still have luminaries like Danny Elfman and the great John Williams for memorable film and TV scoring.

The article referenced can be accessed below:

“As the long-running science-fiction television series begins a new chapter with a woman in the lead role for the first time, its theme tune more or less restores the original musical conception.”

https://www.newyorker.com/culture/culture-desk/the-music-of-doctor-who-makes-a-glorious-return-to-form

A lost film: “The Sleepeaters”

This is a re-post from December 9, 2016.

Just for fun . ;-)

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To my knowledge, this film has never been shown anywhere. This clip is the first I have seen online in a long time. The ‘Documentarian’ speaking in the background is me.

I hope someday that the whole film will see the light of day.